Current Exhibitions
Museo Gallery
Langley, Whidbey Island Washington
"Eat Dessert First"
January 22, 2022 -- February 26, 2022
Height of Sweetness
2022
Ceramic with celadon and gold luster glazes
Langley, Whidbey Island Washington
"Eat Dessert First"
January 22, 2022 -- February 26, 2022
Height of Sweetness
2022
Ceramic with celadon and gold luster glazes
Fuller Craft Museum
Brockton, Massachusetts
2020 Biennial Members Exhibition
February 8, 2020 - November 8, 2020
Silken
2019
13" X 17" X 9"
Raw silk threads, silk cocoons, paper clay over paper mâché torso
Brockton, Massachusetts
2020 Biennial Members Exhibition
February 8, 2020 - November 8, 2020
Silken
2019
13" X 17" X 9"
Raw silk threads, silk cocoons, paper clay over paper mâché torso
Craft in America Gallery
May 11th - July 6th 2019
Excellence in Fibers IV
Opening and Reception
4-6 pm
Saturday, May 11th, 2019
Daphne, 2019
Half round reed, maple veneer, dye, wax, silk cocoons, pigments, stain, paper mâché.
Fiber Art's Now
Excellence in Fibers IV
Juried Exhibition in print
Winter 2018/2019
May 11th - July 6th 2019
Excellence in Fibers IV
Opening and Reception
4-6 pm
Saturday, May 11th, 2019
Daphne, 2019
Half round reed, maple veneer, dye, wax, silk cocoons, pigments, stain, paper mâché.
Fiber Art's Now
Excellence in Fibers IV
Juried Exhibition in print
Winter 2018/2019
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Stem +Art + Design
Northwest Designer Craftsmen Create Exhibition April - June 10th 2019 Schack Art Center Everett, Washington Aretha 2019 Wood veneer, dye, lacquer, bees wax and paper clay |
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National Basketry Organization
Basketry Now: 10th Anniversary Exhibition, July 2019 The Kentucky Museum at Western Kentucky University Bowling Green, Kentucky Clear Cut, 2016 Made It, 2017 |
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Shuttle Spindle & Dyepot
I was honored to find my piece Manga Artifact, 2016 piece on the cover of the
Fall, 2018 issue of HGA's Shuttle Spindle & Dyepot magazine.
I was honored to find my piece Manga Artifact, 2016 piece on the cover of the
Fall, 2018 issue of HGA's Shuttle Spindle & Dyepot magazine.
Bellevue Arts Museum
Ron Ho: A Jeweler's Tale
May 10th - September 15th 2019
Nancy Loorem Adams Co-Curator
5 Blossoms
2018
Paper Clay, clear fir
10"X4"X4"
215 First Street
Langley, WA 98260
360.221.7737
museo@whidbey.com
Hours: 11:00 to 5:00
Thursday through Monday
closed on Tuesday and Wednesday winter hours
2018
Paper Clay, clear fir
10"X4"X4"
215 First Street
Langley, WA 98260
360.221.7737
museo@whidbey.com
Hours: 11:00 to 5:00
Thursday through Monday
closed on Tuesday and Wednesday winter hours
Recent PAST Exhibitions:
Whatcom Museum
GATHERED TOGETHER:
A SHOW OF WORK CELEBRATING MEMBERS OF THE NORTHWEST BASKET WEAVERS GUILD
February 3 – May 6, 2018
A Light in the Forest
2015
Willow branches, round reed, stain, sake ceramic cup, fir stand
All Things Considered 9: Basketry in the 21st Century
Juried Exhibition of the National Basketry Organization
Tacoma Washington July 20 - September 2 2017
All Things Considered 9
American Art Company
1126 Broadway Plaza
Tacoma WA 9840
Strung Out
2017
Cedar, walnut and fir veneers; pigment and lacquer over form
H 24 W 16 D 10
Stung Out is a female torso encased in random weave veneer leaving a partial right arm exposed which is decorated with acrylic painterly butterflies. The concept piece is meant to express paradoxes of addiction, the heavenly feeling the drug provides and the personal confusion, pain and suffering of the addict.
Whatcom Museum
GATHERED TOGETHER:
A SHOW OF WORK CELEBRATING MEMBERS OF THE NORTHWEST BASKET WEAVERS GUILD
February 3 – May 6, 2018
A Light in the Forest
2015
Willow branches, round reed, stain, sake ceramic cup, fir stand
All Things Considered 9: Basketry in the 21st Century
Juried Exhibition of the National Basketry Organization
Tacoma Washington July 20 - September 2 2017
All Things Considered 9
American Art Company
1126 Broadway Plaza
Tacoma WA 9840
Strung Out
2017
Cedar, walnut and fir veneers; pigment and lacquer over form
H 24 W 16 D 10
Stung Out is a female torso encased in random weave veneer leaving a partial right arm exposed which is decorated with acrylic painterly butterflies. The concept piece is meant to express paradoxes of addiction, the heavenly feeling the drug provides and the personal confusion, pain and suffering of the addict.
